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Old Mill Hotel Belgrade, GRAFT | International Design Awards Winners
Old Mill Hotel Belgrade, GRAFT | International Design Awards Winners
Old Mill Hotel Belgrade, GRAFT | International Design Awards Winners
Old Mill Hotel Belgrade, GRAFT | International Design Awards Winners
Old Mill Hotel Belgrade, GRAFT | International Design Awards Winners
Old Mill Hotel Belgrade, GRAFT | International Design Awards Winners
Old Mill Hotel Belgrade, GRAFT | International Design Awards Winners
Old Mill Hotel Belgrade, GRAFT | International Design Awards Winners
Old Mill Hotel Belgrade, GRAFT | International Design Awards Winners
Old Mill Hotel Belgrade, GRAFT | International Design Awards Winners
Old Mill Hotel Belgrade, GRAFT | International Design Awards Winners

Old Mill Hotel Belgrade

CompanyGRAFT
Lead DesignersLars Krueckeberg, Thomas Willemeit, Wolfram Putz
ClientGRAFT
Prize(s)Gold in Interior Design / Renovation, Silver in Interior Design / Commercial
Project LinkView
Entry Description

In the white city of Beograd, GRAFT transformed the historic “Old Mill” into a 4 Star
hotel. The interior concept enhances the existing historical structures with new
materials, colors and shapes, activating the original qualities of the cultural monument,
creating a unique visual experience. The main entrance of the hotel, with lobby and
reception area, bar and restaurant, is located in the existing building complex. The newly
built high-rises accommodate the guestrooms and suites, as well as spa, fitness and
service areas. The guest arrives on a new plaza, which features old granite stones and
iron columns rescued from the Old Mill. The lobby receives the hotel guests with an
industrial, open and authentic atmosphere. Reclaimed materials, like bricks from the
historical building, were repaired and re-integrated. Also the backdrop of the reception
counter was made from old machines. Although being transferred into a modern architectural
language, natural materials, such as oak and copper, refer to the site. Structurally
necessary concrete incision was kept rough, in order to compliment the overall look. These
heterogenic materials and functions are than contrasted by a giant white structure, fusing
them into a spatial continuum. This public and rough attitude gradually shifts into a more
private and soft environment in the guestrooms. The materials metal and stone are replaced
by wood and textile generating a cozy and comforting quality. The concrete structure stays
unclad as reminiscence to the industrial heritage and layered with a wall painting as an
intellectual place for narration and spatial extension. The rooms also feature enormous
windows, customized furniture and open bright bathrooms. There are 236 guestrooms and 14
suites with balconies on the top floors as well as a conference center, a banquet hall and
an exclusive business lounge. The overall concept of re-contextualization fuses local
heritage and contemporary design into a singular whole.

Bio

GRAFT was founded in 1998 in Los Angeles, California by Lars Krückeberg, Wolfram Putz, and Thomas Willemeit and operates internationally in the fields of urban development, architecture, and design. The hybrid office with further locations in Berlin and Beijing is characterized by its innovative and interdisciplinary design method and its futuristic design language.