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For nearly two decades, we tried using the language of print to shape something that could live in the digital world, as if the digital were merely an outward extension of a familiar, tamed analog world. Today, we take the opposite path: we let ourselves be carried by the current of the digital, which blends languages through a perpetual swirling motion. Joy and danger, adventure and surprise. From a visual perspective, Lucy is a Polaroid taken on a carousel, and this magazine is the manual for forgetting how things are done, making room for how we’d like them to be.